Touched by an IEM guru, running the SBAF Dick Gauntlet, and why target curves for IEMs won't work

Discussion in 'IEMs and Portable Gear' started by purr1n, Oct 21, 2017.

  1. purr1n

    purr1n Desire for betterer is endless.

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    I bashed rrattings because I told him the Olive-Welti curve is shit because it's based on preferences from a mixed group of people with trained ears and untrained ears who took a crash course in the Harmon ear training program. (Ear training can take years and requries constant practice). The variance from average among this test group was quite extreme, even among the "trained ears" people. The JBL speakers used could have been calibrated for a B&K or downward 1db/octave slope (as they would be in a studio), but Olive decided he didn't want to do this. As a result, rratings, using Olive-Welti, advocated massive bass increase (among other nonsense) for the HD650? f**k that shit. I run SBAF and I have maintained and will continue to maintain that a frequency response similar to what is heard in sound mixing and mastering studios be the preferred target. The Olive-Welti curve is more suitable for for a typical consumer target - maybe not a bad idea because modern recordings tend to suck.

    I find the Olive-Welti curve troubling not because of what it is, but people do not understand how the results were arrived or how they can or cannot be applied. For example, it would seem that we would actually need the exact coupler or head simulator that Olive used to get meaningful results. However, we see very strange things on HF and other websites using the Olive-Welti curves superimposed on FR plots. Finally, a lot of people worship Olive-Welti as the perfect target because Olive is so well published and has a PhD. Olive-Welti remains dangerous because of these reasons.

    You are the one who brought up "natural" when that word really isn't used much here outside of describing the highs from DACs. And when it is used, there is context provided.

    You were given a method to understand what "neutral" sounded like; but your pride and obstinance rejected this into a strange side argument about what I never said and stuff about vocals being upfront. Let me tell you something: vocals being upfront or in the back are largely dependent on the microphone placement, the mix, and the mastering.

    Seriously, stop digging. Your obfuscation and appeals to authority aren't doing you any favors. You are the one who is ridiculing himself.
     
    Last edited: Oct 22, 2017
  2. Mithrandir41

    Mithrandir41 Friend

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    You just achieved SBAF immortality with " I had the honor of having a great IEM guru lecture me". Congratulations!
     
  3. Vansen

    Vansen Gear Master (retiring)

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    Damn... someone beat me to the custom title.
     
  4. HitmanFluffy

    HitmanFluffy Hoping to see real genitals someday!

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  5. jowls

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  6. TomHP

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    On the topic of Olive-Welti: yes it has problems, but it's already a step forward from DF tuning. These adaptations to new standards for whatever reason seem to take a long time to (1) appear, (2) become the norm and finally (3) get modified.

    It suits itself well for general consumer headphones and as such is a useful tool. Blindly applying it as a correction is no good, but if you know and understand it's limitations it's still more useful than looking at nd working with DF compensated graphs.
     
  7. Cellist88

    Cellist88 Friend

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    not to late to grab one vansen at https://www.head-fi.org/threads/uerm-reshelled-by-perfect-seal.862265/
     
  8. james444

    james444 Mad IEM modding wizard level 99

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    I've said it time and time again, there is no such thing as an universally valid "perfectly neutral". Please (re-)read these two posts before arguing over 1 or 2 dBs. Individual HRTFs tend to vary at least as much, and that's not even taking different listening volumes and Fletcher-Munson curves into account:

    http://www.superbestaudiofriends.or...-hear-different-thread.2535/page-2#post-67954
    http://www.superbestaudiofriends.or...g-headphones-by-measurements.3112/#post-91358

    To give you a real-life example: @shotgunshane's and my ideas of "neutral" are very similar overall... however, his includes a bit of an Ety-bump @2-3kHz, whereas I tend to perceive such an emphasis as obtrusive. I'd never call his idea marketing influenced BS though, cause we're both experienced listeners and I'm sure our hearing / perception just works a little differently in that region.
     
  9. purr1n

    purr1n Desire for betterer is endless.

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    I would disagree. What you are talking about is individual differences. So I would have to say you are dead wrong.

    Do you ever wonder why the sound, the frequency response, from movie theatres always sound the same? (At least in the USA). And that one theatre isn't tuned to your HRTF / preferences, another to @Bill-P's, and another to @k.e.'s, and yet another to @GUTB's? It's because there are standards and targets for hardware.

    It's really the responsibility of a person or reviewer to understand what neutral sounds like regardless of preferences and HRTF. Plus we don't know if the brain corrects for HRTF differences, but I don't want to go there.

    There is no such thing as personal neutral.
     
    Last edited: Oct 23, 2017
  10. purr1n

    purr1n Desire for betterer is endless.

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    One more thing. I don't mind when you @james444 or @shotgunshane use the word neutral because you guys have at least qualified it as being affected by personal preferences or individual differences. You provide a reference for readers to understand where you are coming from. I have absolutely zero problem with any of you and wouldn't ask you to change your review or impressions style.

    What I dislike is when strangers come into our Moosehat lodge, take off their pants, shit on the floor, and insist that they are right.
     
  11. james444

    james444 Mad IEM modding wizard level 99

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    Just for clarification, my argument is not against standards and targets, of course these are vital for hardware manufacturers. I'm just saying that all standards and targets for "neutral" frequency response I've seen so far are averaged curves, derived from individual measurements that vary significantly. And I haven't come across any study claiming that their target frequency response will sound "neutral" for all individual listeners.
     
  12. purr1n

    purr1n Desire for betterer is endless.

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    For headphones and IEMs, it's difficult for a variety of reasons that I don't need to get into.

    For speakers, it's well established, like since 1950 or maybe earlier: Flat at 1m with microphone pointed at tweeter on-axis. (Note that HATS, HTRF, etc. are not involved in this process). When flat speakers are put into a treated or semi-treated (house with furniture), the frequency response at the measurement position will look something along the lines of 1db/octave downward slope or B&K curve AES 1974. I think the B&K curve is a bit better as the bass is even outs below 200Hz, but sometimes I enjoy the increasing bass as we to down to 20Hz. Depends on the speaker design I'm working on.

    We can plop any pair of decent monitors on ours desk, do a few adjustments (according to the manual) to compensate for how close the monitors are to the desk surface, back, and side walls (or if no walls), and get a very good idea how neutral sounds like. The response from 700Hz on up is going to be very accurate because we will be in nearfield. The response below 700Hz will be increasingly affected by the room, but it will be good enough.

    I keep repeating this because this a very easy and inexpensive way to learn, to get accustomed to a neutral sound more or less. Some monitors measure more linearly than others. @ultrabike measured a ton of them. It's pretty obvious which models are the more neutral ones - confirmed by my experience with some of them too.

    So while it's difficult to know what a neutral headphone or IEM sounds like, it's not that hard to know what neutral sounds like through speakers or monitors, and this is something that I urge everybody here to do. Even if we don't like neutral, we should at least know what neutral sounds like. And there is a method to know how neutral sounds like.
     
    Last edited: Oct 23, 2017
  13. k.e.

    k.e. Winning combo: narcissistic and stupid

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    What I dislike is when somebody makes false claims and fights logic with post count or date of registration.

    I do think a few people around here know me and also know that I temporarily worked for a pro-audio company. Even if not, it's not like I am hiding my real name or anything. Yet I don't claim to have superior knowledge. In the contrary, I keep silent about it as to not raise false expectations and the reason I am here is to learn from others. You see, I don't want to be the guy who tells a story five times about how he visited a studio once and suddenly can redefine the word "neutral".
    I also write reviews since like forever and I learned most of my vocabulary from joker back in 2009-2011. Pretty sure my terminology doesn't deviate too much from James or Shotgunshane as they were my idols back when Head-Fi was not about making cash. I do admit that it's impossible to keep track of all Head-Fi users and I admit that I was far more active on Hifi-Forum instead.
    But I also introduced myself in the thread that asks for exactly that. No worries, I don't expect you to read the thread or even remember it. But it would be nice if you decided to be less of a jackass to newcomers because I can see from the thread that there are several audio students or otherwise experienced people that want to join the community. But you automatically assume you have more value than "new members" which makes you a dick.
    Oh, while we're talking about dicks, unfortunately, I accidentally saw how you had a good time with hardcore gay porn in another thread a while ago. That makes you so much more sympathetic. No wonder your own people have to ban you from time to time.

    I know you want to mock me with my custom tag, but actually I am proud of it. Bad_Robot was one of the best persons the hifi/IEM community ever had and he is the reason I decided to become part of the community. Not personally knowing me, he sent me five flagship IEMs of that time, only for me to experience different tunings and the capabilities of multi-BA designs. It moved me a lot and I have been sending my own gear around to users ever since. In any discussion, he never had to raise his voice or become insulting like you. Because he had reason and logic for argumentation and not your bullshit talk about how all (not Olive-Welti, but all) IEM research is crap. We know Olive-Welti is not a compensation target, it's a qualitative market research. But it is based on logic and research, especially in the midrange. Even if you do not agree with linearity, perceived neutrality or anything else, you still should use the words accordingly as that's how the terminology is used in the field of audio or by your fellow less arrogant colleagues.

    According to you, all hearing aids are fundamentally wrong because you disagree with pinnae effects in IEMs. Can't you see how absurd your claims are? I guess you do, because you decided to let the anger about your own stupidity out on me. Well this is not your lucky day. I avoided you ever since I noticed you have a very different perception than me in the Andro thread months(?) ago. I gave you the last word and I apologized to the others for the shit that they had to read because you think you had to display alpha behavior. After that, I did not post in many threads I would have liked to because I could see you lurking there and picking up fights with other people already. You're nothing than an online bully to me. And I say this fully aware that we will eventually meet personally on a headphone event.

    A silent observer sent me this picture: B&K measured flat in a dummy head recording and Tom's measurements of the ProPhile 8.
    [​IMG]

    That's what you call shrill and horrible? You are forcing yourself and that makes your opinion not reputable. But I have an even better theory. Based on your friends, the Pepe and the guy responsible for putting SBAF on NSA's watchlist with his Japanese underage girl as an avatar, I assume society has no place for you. So you hide in the basement and you are afraid of people. That's why you don't like voices and perceive them as shrill.

    Either way, I have zero respect left for your mic in a toilet roll or your opinion. I would like to appreciate the effort, but your arrogance and narcissistic ways totally blocked that possibility forever. I will continue to avoid you the best I can - how I did in the past weeks. Maybe you should try to ignore me as well. Goodbye!
     
  14. Mithrandir41

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  15. purr1n

    purr1n Desire for betterer is endless.

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    tl; dr; but did look at your plot, some questions:
    1. Can you provide a standard microphone measurement for the speakers that were tuned to the B&K curve? Where was the microphone location?
    2. Was the head / torso / ear simulator the exact same between the B&K curve measurement and PP8 measurement? Was any compensation used? Either way we can't really compare between two different dummy heads. I know the KEMAR that Tom uses has ear canals. Other heads don't. Pinna may be different.
    3. Was this B&K curve target actually obtained through speakers calibrated to this target and then run through the dummy head?
    4. This is the first time I've ever heard B&K and "flat" in the same context. B&K target is not flat. I hope it's not a flat curve because totally flat at listening position is bright.
     
    Last edited: Oct 23, 2017
  16. brencho

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  17. purr1n

    purr1n Desire for betterer is endless.

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    I'm recusing myself from the Like button.
     
  18. Riotvan

    Riotvan Snoofer in the Woofer

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  19. Serious

    Serious Inquisitive Frequency Response Plot

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    The thing is I don't buy that we should only look at FR. The brain is way more complex than that. I'm fairly certain that two speakers with the same measured FR at the eardrum will not have the same perceived tonal balance (if they don't measure the same with an omni mic). All the target curves seem to be based on measuring FR and adjusting IEMs to a "target", but IEMs tuned by ear generally sound more correct to me. The brain knows if a sound is coming from speakers in a room or from IEMs. Otherwise the Apple BA IEMs would sound super awesome (ignoring the massive 3kHz 3rd order distortion spike and 9kHz ringing).

    I guess what I'm trying to say is this: Forget all the measurements for a while. I know it's not easy to do, but try to ignore what the measurements say for a moment. Then why does stuff with a DF bump sound overly shouty and shrill to me in a direct comparison to my speaker reference (which in itself might be considered shouty by some)? I'm talking specifically about the Zero Audio Carbo Tenore and the Apple BA IEM that I have on hand. The RE-400 and UERM are much better behaved. Yes, this is an experiment that I just conducted myself. I tried to match the levels as much as I could subjectively as matching levels with a microphone doesn't work very well between IEMs and speakers (the amount of reverb influences the perceived volume level more than it changes the measurements).
    I modded my RE-400 specifically to reduce the 2kHz bump. Now there's only a 2.5db bump at 2kHz on my coupler and it still sounds too forward in the upper midrange to me.
    A couple subjective impressions (FR only - compared to my speakers):
    • The UERM is pretty neutral overall, but over time I've realized that it's slightly too U-shaped for me with a bit too much 2kHz shout. I'd like more energy between 500 and 1.5kHz and less energy around 2kHz. Also a bit less treble energy in general.
    • The RE-400 I also find quite neutral, at least the way I modded it. Quite a bit less 2kHz, smoother treble and I think just a bit more treble as well compared to stock. The dip after 2kHz annoys me, but fixing the dip is only possible with more damping material which makes the sound overly damped and lifeless. Still, the dip makes the 2kHz bump stand out too much for me. The treble level is actually closer to accurate to me, but now it's a bit too less.
    • The Carbo Tenore is way too shrill, shouty and sharp. Also 10db too much bass bleeding into the lower mids. Just generally lacking the most important region of the midrange.
    • The Apple IEM (newer version) is similar, but better. But the 3kHz distortion and 9kHz treble spike is a dealbreaker to me. At high levels the distortion spike can reach beyond 20%! Also the tuning is definitely still too much of a DF curve. Higher OI helps with the bass, though. The old version with less upper midrange energy is probably a bit better.
    In hindsight the Brainwavz B2 that I had with the special tipless deep insertion that I always used was more neutral than my UERM (less 2kHz, less treble, more mid-midrange, better treble extension). One of the drivers crapped out on me so I'm back to using my RE 400s on the train.
     
    Last edited: Oct 23, 2017
  20. briskly

    briskly Friend

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    It almost certainly does, since the HRTF is used to determine source location. Careful manipulation of the magnitude response shifts the apparent sound location, especially when it comes to sounds in the median plane. Describing HRTF would be unnecessary for loudspeakers as the brain already filters the transfer modulus out of the signal, based on other cues such as level, phase differences captured in whatever time window.

    The issue with headphones and IEMs is then reconstructing the gain based on what portions of anatomy are bypassed or interacted with. The individual result has to be guessed at.
     

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