Burst Response! HD800, SR-207, HD650

Discussion in 'Measurement Techniques Discussion' started by purr1n, Jan 8, 2017.

  1. purr1n

    purr1n Desire for betterer is endless.

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    That's still there. Two aspects to this would be the attack, the first few waves, and then perhaps overall behavior. I think we may hear some of these attack characteristics, so investigating ways of visualization that may correlate with what we may hear. For now, I figured I would start with the decay first because its obvious we are seeing stuff that makes sense here.

    Grado RS2 is very interesting. I don't know if anyone noticed something extra funny which may help explain why many people like distorted electrical guitars on Grado. I had to write a quick routine to identify the start of the last half wave (because things are never perfectly in phase) before the decay in the prior decay plots, so this helps to point it out. Can you see it?

    upload_2020-4-12_11-0-54.png
     
    Last edited: Apr 12, 2020
  2. Lyander

    Lyander Official SBAF Equitable Empathizer

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    Hah, heck if I know, all that stands out to me at 1500Hz is that initial attack is eager and that swing back towards rest position is protracted. Not sure if those warbles are related to the resonance in cup chambers somehow, add to the romanticisation of the sound. Curious what's keeping the trace from going back over middle point with that second little bump.

    500Hz is surprisingly... free of features? Scary good compared to other cans even, basically textbook perfect unless I'm very mistaken about all this.
     
  3. purr1n

    purr1n Desire for betterer is endless.

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    For RS2, look at the 4800Hz bursts. See the massive phase shift after the first attack? The last wave half wave of the 10 cycle burst is already way behind!

    The effect is basically a whammy bar!

    This is the kind of stuff that we don't see on analyzers.
     
  4. Lyander

    Lyander Official SBAF Equitable Empathizer

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    Ahh, gotcha. Was focusing on the wrong frequencies, haha! Fricking hell, headphones with a built in whammy bar.

    Dumb question time, how is it shown here that there's a phase shift? Might have been mentioned elsewhere but if so, missed it. What really stands out to me at 4800 besides the tail end is how there seems to be a bit of "tightening" in response between the 4-6th cycles before coming back up to level. Not sure what might be causing that.
     
  5. purr1n

    purr1n Desire for betterer is endless.

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    Granted they are all different frequencies and they can't be compared to each other, but I did divide the waves according to their frequencies in the original wave file (pre-recorded) to they would line up all the same. Just using the 1500Hz waveform as a reference because it looks good in terms of its cyclical timing.

    upload_2020-4-12_12-8-52.png
     
  6. Lyander

    Lyander Official SBAF Equitable Empathizer

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    Yup, I didn't know to read them that way. Thanks Marv! Now going back to check the other ones out haha.
     
  7. spwath

    spwath Hijinks master cum laudle

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    These burst responses are certainly an interesting measurement, it seems like a very easy to understand way to visualize things that are not visualized in other measurements.
    Ill have to learn more about all these types of measurements.

    I wonder if I could do something on types of acoustic measurements for my senior capstone project next year... would certainly be interesting. Ill have to see. Would have access to all the nice equipment and anechoic chamber though.
     
  8. Serious

    Serious Inquisitive Frequency Response Plot

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    That's really weird. Maybe it's the other way around that high frequency ringing and overshoot from the starting of the signal makes it reach the peak earlier than normal. Here I overlaid the 4800Hz over the 1500Hz burst. Aside from the first cycle peaking earlier than the other one it seems fine to me.
    Marv_GradoRS2e_BD1696_overlay.jpg
    Maybe we're also seeing some distortion here*, although I find it hard to believe that less than 10% distortion is visible by looking at the waveform directly. It could cause a shifting of the peaks in the waveform however, as seen here:
    https://www.stereophile.com/images/archivesart/310arc.fig4.jpg or here:
    https://www.passdiy.com/projects/images/content/distortion2.png

    Did you visualize them so that it normalizes for the start of the waveform? I'm wondering if 4800Hz itself might be delayed vs other frequencies, although the 50Hz would be delayed far more. Actually VituixCAD lets us check that from the FR...
    EDIT: According to VituixCAD 4800Hz is delayed by about 0.05ms relative to 1500Hz for your RS2 measurement here. That's about 1/4th of the 4800Hz cycle. 50Hz is delayed by 3ms, though, so I assume you normalized the start for the visualization.
    *I think it may look slightly tilted towards the right, but I could be imagining things.
    FWIW, here's the GD I got from the FR measurement: https://i.imgur.com/wy219Mr.png
     
    Last edited: Apr 12, 2020
  9. purr1n

    purr1n Desire for betterer is endless.

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    Given the varied input wave files which I have used, the sine bursts are not aligned in any way. I wrote a subroutine that would coarsely locate where the various bursts in the recorded file started in the recording. I guess I could find the original wave file and compare the recorded output to it - however, this exercise was never about finding phase shifts or group delay.

    I'm not sure aligning the body (waves 3 to 9) makes sense because this shifts the attack - the initial sine waves - to back before when the microphone would have picked up the signal.

    Either way, it's probably not relevant and more academic (I can find out for sure by comparing to the original wave file). This isn't phase shift per se, but frequency shift! With the first two and a half waves being of successive lower frequency (as we head to the initial attack) than the rest of the sine waves. It certainly looks a bit funky when run through an FFT, which is when I first realized this. (Imagine the peak of the FFT on being aligned on 4800Hz - that almost gave me a heart attack and caused me to chase my code, original wave files, etc.)

    I too like @Lyander totally missed it.
     
    Last edited: Apr 12, 2020
  10. Serious

    Serious Inquisitive Frequency Response Plot

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    Yup, I've thought of creating FR graphs in the future where the soft flat plate coupler respones gets overlaid past 5/6kHz on top of my in-ear measurements. Makes you realize much more easily which peaks are caused by the headphone itself and which are caused by interactions between the headphone and the ear.
    The other (interesting) option would be to DIY a dummy head with absorptive ears, but which still have pinna gain. Some of the denser foams might work for that.

    Maybe our ears end up hearing it that way, but I don't think 'frequency shift' is what's happening here***. Let me try to explain how I thought it happens.

    At the start of the signal the 4800Hz tone and also a small step gets triggered.* However because 4800Hz is some 10dB lower relative to the nearby peaks (2.2, 4 and 10kHz) which will get triggered by the "starting" of the signal, this is more obvious compared to other headphones.** Similar story with a burst at 4kHz on an HD800 on a FPC.
    *(Signal is time-limited so it cannot be bandlimited. Since it's not a real step with infinite slope but rather the start of the sine, the bandwidth is smaller than infinite, but the nearby peaks will likely have not insignificant output.)

    Since 4800Hz is a bit delayed compared to other frequencies (almost 1/4th of its own cycle vs 1500Hz, see above) and since the impulse has a much faster rise-time we end up with a peak in the output that is a bit earlier than we would expect for a 4800Hz sine.

    Something like this:
    Marv_GradoRS2e_BD1696_overlayannotated.jpg
    The output (green) would be a superposition of the 4800Hz sine/burst and the blue curve.
    Note that I've made it look like the "impulse" has a similar frequency as the 4800Hz sine. It's probably a bit lower - there's a peak at 4kHz and around 6kHz there's less GD than at 4.8kHz, so it would start earlier. Both of those could play a major role here. It's very unlikely the "added" signal would be as neat looking as this. It's really just a superposition of all the other frequencies aswell. Not a periodic signal.

    **Take the worst-case example. A system with almost no output at 4800Hz. The starting of the 4800Hz tone would still trigger a band limited version of its impulse or step response centered around that 4800Hz center frequency. After that decays we would be left with almost no signal and at the end we would see the same impulse, but inverted. Or at least that's what I think.

    It's still delayed, just less delayed vs 4800Hz. I think that it looks weird on an FFT is because the FFT is only an approximation aswell.
    ***Our ears are just a weird FFT-like device after all.
     
    Last edited: Apr 13, 2020
  11. Hands

    Hands Overzealous Auto Flusher - Measurbator

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  12. Serious

    Serious Inquisitive Frequency Response Plot

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    @Hands isn't that just the same thing with a dB dBFS scale instead of percentage?
     
    Last edited: Apr 13, 2020
  13. Hands

    Hands Overzealous Auto Flusher - Measurbator

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    I figured it was something like that but wanted to be sure.
     
  14. purr1n

    purr1n Desire for betterer is endless.

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    Yup. To db scale. I got the idea from Audacity which has a feature to display in db.

    It's possible I just drew it myself too. An artists' interpretation.
     
  15. Hands

    Hands Overzealous Auto Flusher - Measurbator

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    Well, shit, if that's an option, we're in for a world of hurt with what I can do with that.
     
  16. purr1n

    purr1n Desire for betterer is endless.

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    Very interesting and could be an explanation of the cause. Would be interesting to see if the Magnum driver does this. It also has a 2kHz ish peak, but no 10kHz peak.

    Would be probably more accurate to say that our ears are like analog-mechanical RTAs with detectors (hair cells) that excite near specific frequencies. FFT implies math transforms on a signal window.
     
  17. Hands

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    OK, trying to get the hang of using the sort of burst decay visualization @purr1n has been using lately. Tested the JAR HD600 with a few 10 cycle bursts.

    Lots of manual effort currently, like narrowing in on the right window of data, generating graphs, f'ing around with photos to try to make things look somewhat matched (faster proof of concept than messing with the data itself), etc. So expect some weird stuff and spots I goofed, like the wrong gradient color used on the 1Khz results.

    Did what I could to roughly try to line things up. It wasn't until I was on my last couple that I realized I should show more decay data over time. And I need to get out another ADC to up my sampling rate so the 5KHz results don't look like trash.

    Ah, well, just part of the learning process to nail down a flow that works.


    JAR HD600 50Hz Burst.png JAR HD600 125Hz Burst.png JAR HD600 250Hz Burst.png JAR HD600 500Hz Burst.png JAR HD600 1KHz Burst.png JAR HD600 5KHz Burst.png
     
  18. ChaChaRealSmooth

    ChaChaRealSmooth SBAF's Mr. Bean

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    With the burst measurements: why are some of them oriented like regular sine waves, and some of them (@purr1n's on the Borealis thread and @Hands's directly above) look like a bunch of phalli parallel to each other?
     
  19. Lyander

    Lyander Official SBAF Equitable Empathizer

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    Serious got it above, it's just displaying as either percentage of total (the sine waves) or dBFS [decibels relative to full scale] (the doodoo bloops). COULD BE WRONG, but reason for percentage looking like sine waves is probably just that the trace indicates "swing" of diaphragm relative to rest state while the dBFS is... how much noise there is— stuff coloured in is noise, background is absence.
     
  20. Hands

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    Latter is using absolute values, i.e. anything negative is made positive. And the vertical axis is viewed on a decibel (logarithmic) scale.
     

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