The "we all hear different" thread.

Discussion in 'General Audio Discussion' started by ThePianoMan, Aug 3, 2016.

  1. Serious

    Serious Inquisitive Frequency Response Plot

    Pyrate BWC MZR
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    Here's the image from the other thread, but flipped (like how it should be):
    If the headphone measured like this on my coupler, it would measure flat on my head which is my target for now. Hence these would be my coupler targets for both headphones.
    Old Coupler Targets Beta 1.png
    Note that 2db is a big difference. The peaks above 8kHz are just the dips from the IEM measurements and should be ignored. For a real coupler target, I would leave the area above 8kHz flat. What concerns me most is the big difference between 240Hz and 1.9kHz. This is more than 1db for the most part. I left the cursor at 500Hz where the difference is 0.8db. A 1db difference over such a big region is certainly noticeable. Also, as I said above, the 4kHz dip with the HD800 on couplers is partly an artifact, but it's interesting that the HD600 "target" also dips around 4-5kHz.
     
  2. Hands

    Hands Overzealous Auto Flusher - Measurbator

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    Ah, sorry, I was only talking about headphones. Throwing in speakers to the mix complicates things further, though it would be interesting to see how much variance you can find with in-ear mics from person to person. I'm not saying these are huge differences, but maybe enough to account for why someone might not hear the HD600 as "hot" and others do. Nothing mind blowing, but just enough to shift preferences around a bit for various products. I'm not saying someone is going to hear the TH-X00 as bass light, for example.

    Of course, I'm mostly just guessing and talking out of my ass based on limited knowledge and experience, because it's the internet, and anything on the internet must be true...?
     
  3. ultrabike

    ultrabike Measurbator - Admin

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    LOL! I'm not saying our ears will work the same way from person to person, and from one time to the next year.

    All I'm saying is that in general, the brain compensates for this differences, unless one goes deaf in some frequency ranges. In which case the brain still compensates.

    Furthermore, to compensate, the brain is exposed to real life sounds all the time. If one plays a tune in a piano, record it, and play it through ones stereo, the recording will match the actual piano up to the capabilities of one's stereo rig. If the recording is ideal, but the stereo throws monkey chunks due to frequency response aberrations, it is what it is. The stereo rig is shit.

    This is independent to a large extent on how different our left and right ears behave, or how this dude or that dude ears work, unless they are totally fucked.

    The delta is not between the ears, but between the original source and the reproduction rig. If we cannot tell the difference between a real life piano concert and it's recording through a gramophone, or if we all hear this difference randomly different then f**k this or that DAC, Amp, or speaker set. And to hell with impressions. It's all random. Engineers are screwed. There is no performance target. Might as well just put together a crossover for the speakers in which ever random way we like. Cuz we all hear different.

    I dunno. It just doesn't make sense to me.
     
  4. Serious

    Serious Inquisitive Frequency Response Plot

    Pyrate BWC MZR
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    Those hearing tests only test for the hearing threshold, which I'm pretty sure is different from the perceived FR balance. I also think that (depending on the actual tests and methods) these tests are only a rough indicator. For example my threshold when I was a little kid was measured at about 10-20db (which is pretty bad) and when I had it measured again half a year ago the results were perfectly normal (0db or less for every frequency in both ears).
     
  5. ThePianoMan

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    ^ great comment.

    Peoples hearing can have huge swings in difference. Some may perceive too little detail at certain frequencies while others may hear enormous amounts. Of course transducers reproduce the same waveform whatever our own "curve" is. That was my only point. It might seem like "just tonal balance preferences" but when your hearing at a particular frequency is -6dB or more below someone else's, that can certainly effect how much detail you perceive at that frequency, and the surrounding frequencies, for example (oversimplifying here) training helps a lot of course : )


    Source: audiology, physical acoustics, physics, psychoacoustics, audiometry study at a college/conservatory.
     
    Last edited: Aug 4, 2016
  6. ThePianoMan

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    Targets, and all the gear absolutely does make a difference! We're in total agreement here, I think. It just means that some of us can experience the same gear in very different ways. And there's nothing wrong with that.

    If you're curious, There are plenty of great Audiometry resources out there.

    Cheers : )
     
  7. Rex Aeterna

    Rex Aeterna Friend

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    i think we don't all hear that much different personally. when you tune a guitar to be tuned. the results is all the same and consistent between person a to person for tuning that guitar by ear. same occurs with music and just everyday life. i think the only difference between individuals is most like due to some extent of hearing loss or something else. i even had well trained older gentlemen come to same conclusion as i have when it comes to speakers and instruments but, one thing they always mention is when i complain or mention a distress in my hearing due to a really bad peak somewhere in the upper end of top-end and air fundamentals. or when i complain bout monitors,security systems, and some cable modems and even tv's due to my sensitivity still surprisingly in the upper range above 16khz. that is the only difference i ever noticed with anyone and any ever limitations i saw in a persons overall hearing ability but, in most cases everyone i think will hear the overall same way.
     
  8. james444

    james444 Mad IEM modding wizard level 99

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    Funny I had a similar discussion about "we all hear the same / differently" and "true accuracy" with friends just a few days ago.
    Here's from an email I sent to them:

    "Anyway, here are some of the graph examples I promised yesterday:

    Eardrum measurements (mic at eardrum level):
    [​IMG]

    Open entrance measurements (mic at ear canal entrance, canal open):
    [​IMG]

    Blocked entrance measurements (mic at ear canal entrance, canal blocked):
    [​IMG]

    Grey areas are standard deviation, the thick grey line is mean value. There's a good correlation of mean values among the majority of studies, but overall variance / deviation is anything but negligible imo. Blocked ear canal measurements show the least variance, but are probably farthest from what we really hear. Eardrum level measurements are likely closest to the truth (since they take the ear canal into account), but show the highest variance.

    From what I've read, most studies just settle for blocked canal measurements, because they're easiest to perform and yield similar mean results to the other methods. (It probably doesn't hurt either that the variance is lowest that way ;-) I think I already showed you measurements from the Olive-Welti study some time ago and these tell a similar story in my book. Even though O-W performed only blocked canal measurements, deviations have been quite substantial too, for some headphones.

    Bottom line, my personal conclusion is we all seem to gravitate towards a universal mean HRTF, but conclusively measured deviations across subjects make me believe that "true accuracy" can only be achieved on an individual basis. In other words, while I may hear roughly the same as you, our individual HRTFs will probably still differ up to several dBs here and there, and as a result our perception of "accuracy" is bound to be slightly different."
     
    Last edited: Jun 23, 2017
  9. ultrabike

    ultrabike Measurbator - Admin

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    I think you guys are overthinking this HRTF deal.

    Again, I feel the point of the audio reproduction equipment is to be faithful to the source which does not use ears to make sound. This is specially true for speakers.
     
  10. Serious

    Serious Inquisitive Frequency Response Plot

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    Essentially what I wanted to say, but you replied earlier than me.

    But when you are at the point of over-thinking, then it might be okay to think about how different angles of the sound source and direct vs diffuse energy shape the FR at the eardrum. I'm sure that the FR differences between 60° speaker angle and 50° speaker angle will not be the same for every person and this could potentially also explain some preferences (in terms of FR, but not spatial representation), but I largely think that this is overthinking the issue and that it doesn't really matter.

    What does matter, I think, is the differences in the FR at the eardrum for a good set of speakers versus one universally agreed upon good set of headphones for different people. Essentially the differences between speaker neutral and headphone neutral for multiple people (with headphone neutral shifting based on different interactions with the ears).
    What I'm saying is that while it may be possible to have one reference room with a pair of speakers that may sound very close to neutral for everyone, the same may or may not be true for headphones. Again, like Hands said, the differences won't be huge (nearly everyone agrees that the HD6X0 are very close to neutral), but they may explain slight differences in perception. With some more exotic headphone designs the differences may end up being bigger.
     
  11. ultrabike

    ultrabike Measurbator - Admin

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    I'm confident that if we measured the frequency response at the ear drum (or whatever) of the sound produced by a bird 60 degrees relative to person A and 60 degrees from person B, the frequency responses would not be exactly the same.

    However, I would say that if we had an uber transparent speaker reproducing the sound from the bird above at 60 degrees relative to person A. It better sound the same as if the sound came from the bird itself. In that sense, person A and person B better hear the sound from the bird as if it came from the bird. And in that sense both person A and person B hear the same thing relative to themselves... Not each other.

    In other words, two speakers faithful to the original source (ideally) should sound the same. A bright one should sound bright relative to the original source, and a warm one warm relative to the original source. And, a speaker that is faithful to the original source should have flat frequency response when measured at the location of the receiver w/o an ear.

    I believe we are concerned with the performance of speakers and headphones (and other stuff down the chain) in being faithful to the original recorded source, or at least relative to it.
     
    Last edited: Aug 3, 2016
  12. Serious

    Serious Inquisitive Frequency Response Plot

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    Yes, but if we change the angle things may become a little more complicated. Still, those differences won't be huge. I've measured the differences a different angle makes with a pair of speakers at my ear canal opening (ear canal opening blocked). I'm not sure if I still have them. It does make a not-so-negligible difference and if you listen for it you can easily hear the tonal changes that even moving your head only slightly makes. The differences won't be the same for everyone. Still, as I said, this is overthinking to me. Speakers should be fairly neutral and you should position them to project an image that you like and not based on tonality, atleast that's what I think.
     
  13. ultrabike

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    I don't see how.

    The ear canal would color the sound of the original source the same as it would color the sound of an ideal and perfect sound reproducing system.

    A perfectly ideal sound system performance should not change because of the receiver. They are somewhat independent. I mean the presence of a body does change air volume to drive. But in most situations I think that's somewhat negligible.
     
  14. Serious

    Serious Inquisitive Frequency Response Plot

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    Yes, I should have been more clear. I meant changing the angle of the speakers compared to the original source. You will never place your speakers at the same exact angle that the original source was. There is no truth.
     
  15. ultrabike

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    EDIT: I see what you mean. The recorded signal will be truth at the pic up place (where some dude put the mic to record the original sound). That's where truth should ideally be.

    And sure, angle of the speaker would change things like you said.

    However, in lines with "we hear different", I fail to see why we need to consider a random ear or head model (HRTF) when measuring a speaker. Or why it should sound different to different folks relative to the original sound source. To me it seems the individual HRTF cancels out from the equation when things are done relative to the original.
     
    Last edited: Aug 3, 2016
  16. Serious

    Serious Inquisitive Frequency Response Plot

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    I just meant that a sound infront of your head reproduced perfectly by two stereo speakers will not sound the same as the original sound infront of your head produced by one sound source. If there was a perfect speaker, it would only work for reproducing sound from the exact same position where the speaker is standing.

    I'm not in favor of measuring speakers with dummy heads. However there are some things that such measurements could capture more accurately according to how we hear them, like room effects. The head is not an omni mic. Problem is of course that there is no perfect compensation.

    I feel like a lot of this stuff is stuff that can also be read on Changstar, just using different words for saying the same things.
     
    Last edited: Aug 3, 2016
  17. ultrabike

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    A perfectly recorded sound reproduced perfectly by a speaker will sound the same as the original sound. There maybe a delta between the pick up mic and the source. But all that is largely independent of your head.

    An ideally reproduced sound at the location of the mic, should sound the same as the source. Your head should color the original and the perfectly reproduced signal due to roll, pitch and jaw(assuming also same location of your head) the same.
     
  18. ultrabike

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    There is however no perfect speaker or such. There are limitations. I have yet to see the possibility of creating a perfect point source speaker. And there are directivity patterns per frequency on a speaker. Hell, the sound source may not sound the same at all locations. But I believe there is truth at a given location, and such source-truth I feel is independent of the listeners HRTF... at least for a speaker.
     
  19. james444

    james444 Mad IEM modding wizard level 99

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    I agree, for "ideal speakers" and relative to the original sound source, individual HRTF shouldn't matter.

    (Edit: your ideal speakers would still need the same radiation characteristics as the original source, no?)

    So, what's your idea of a "perfectly recorded sound" for speaker reproduction? The best approximation of true-to-source perfection I personally have come across are binaural recordings, but those are meant for headphones, not speakers.
     
  20. Serious

    Serious Inquisitive Frequency Response Plot

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    This is also part of what I was getting at. Stereo reproduction/soundstage is never natural in reproduced audio. The only exception to this may be making your own binaural recordings and listening to them with IEMs. I tried that and the result was very 3D and life-like spatially.

    But really, the main thing I was getting at was that most likely there couldn't be a perfect headphone for everyone, even if there could be a perfect speaker that would sound perfect to everyone. This is very similar to the different measurement setups produce different results thing. Different heads will produce different results and may interact just ever so slightly differently with different headphones. That is to say that the difference between HD650 and HD800 may not be exactly the same on different heads. These differences will most likely not exceed 5db, at least from the data that I have, and will most likely be even smaller than that.

    (http://www.superbestaudiofriends.org/index.php?members/sphinxvc.201/#profile-post-2540)
     

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